Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,   Related Paintings of RAFFAELLO Sanzio :. | Shesibasi | Madonna della Tenda | Portrait of Agnolo Doni | Miraculous Fisherman | Madonna del Cardellino ert |
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Verner Moore White
Verner Moore White (October 5, 1863 - August 30, 1923), born Thomas Verner Moore White but informally known as Verner White, was an American landscape and portrait painter. White painted works for many of the business and political leaders of his time including commissions for three United States Presidents.
Jan Stanislawski
Polish, 1860-1907 Polish painter and printmaker. He came from a Polish family that had settled in the Ukraine after having been deported to Russia as punishment for the patriotic activities of the artist's father Antoni Stanislawski, a lawyer, poet and translator. In 1879 Jan Stanislawski came to Warsaw and, after completing his higher studies in mathematics, started to study painting (probably in 1881) under Wojciech Gerson at the Warsaw School of Drawing, continuing in 1883-4 under Wladyslaw Luszczkiewicz (1828-1900) at the School of Fine Arts in Krakew. Under Gerson's influence Stanislawski chose landscape as his main and almost only subject. The principal characteristic of his paintings was their small size, rarely greater than 360*240 mm.
SERRA, Pedro
Spanish painter active 1363-1399